


There is something not quite right about men singing a Bond song. The title song, performed by Duran Duran, doesn’t get much respect nowadays. In addition, Roberts doesn’t have any chemistry with Moore.
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It isn’t entirely Tanya’s fault - her character isn’t very interesting (Roberts also spends most of the movie screaming and whining). The beautiful Tanya Roberts ( The Beastmaster and Sheena) is overshadowed by scene-stealers Walken and Jones. Lois Maxwell makes her 14th and final appearance as Miss Moneypenny. Desmond Llewelyn and Walter Gotell return as M16’s “Q” and KGB’s General Gogol, respectively. Alison Doody ( Indiana Jones and the Last Crusade) and Fiona Fullerton ( Nicholas and Alexandra) are gorgeous “Bond girls.” Dolph Lundgren ( The Expendables) makes his film debut as a KGB henchman named Venz. Patrick Macnee (TV’s The Avengers), who plays Bond’s sidekick, adds a touch of class to the movie. A self-professed diva (on and off the screen), Miss Jones provides the story with vitality. Walken has a strange but compelling chemistry with charismatic pop star Grace Jones ( Conan The Destroyer), who is surprisingly good as Walken’s deadly henchwoman May Day. Christopher Walken is scary as the psychotic Zorin. That’s the main reason Moore has always said that this is his least favorite Bond movie - he apparently had no stomach for acts of cruelty.Īnyway, View to a Kill is invigorated by a supporting cast composed of interesting actors. Although I didn’t think the violence was gratuitous, Moore wasn’t amused and protested, but his grievances fell on dead ears.
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Ironically, despite Moore’s reputation as a “lightweight,” A View to a Kill is one of the most violent movies in the series - people are constantly killed in brutal ways. Those days are long over, never to return this is indeed the end in more ways than one. I myself miss the days when Bond was cruising along the spy world with his tongue firmly planted in cheek. I’ve long suspected that modern viewers have simply become too jaded for Moore’s droll personality. Energetically directed by Bond veteran John Glen, A View to a Kill tries its very best to end Moore’s reign on a high note, and for the most part, the film succeeds.Ī View to a Kill is nobody’s favorite Bond movie, but I liked it a bit more than its predecessor, the fun but goofy Octopussy. Since there are small references to Sean Connery’s movies in Moore’s outings, you can easily argue that this is also the last chapter of a story that began with Dr. The franchise’s 14th entry, and Roger Moore’s seventh and last Bond movie. “On a mission, I am expected to sacrifice myself!” Later, Bond learns that Zorin plans to monopolize the tech market by destroying California’s Silicon Valley. Clues lead Bond to multi-millionaire Max Zorin (Christopher Walken, The Deer Hunter), the head of an organization responsible for manufacturing the microchip. This is for him.After completing a secret mission to retrieve a microchip, British spy James Bond (Roger Moore, The Man who Haunted Himself) returns to England to discover that the microchip might be the first step towards some nefarious enterprise. Bassist John Taylor told the crowd: "We lost a dear friend of ours this year – English composer John Barry. Following Barry's death, the band paid tribute as their encore at the 2011 Coachella Festival, Simon Le Bon reappearing in a tuxedo for a pared-down version backed by an orchestra, before launching into the full, upbeat track. It was performed by the band at Live Aid in Philadelphia, their final performance together before their first split. The song was the last track recorded by the most famous five-member lineup of Duran Duran until their 2001 reunion. In 1986, composer John Barry and Duran Duran were nominated for the Golden Globe Award for Best Original Song for "A View to a Kill".

It remains the only James Bond theme song to have reached number one on the US Billboard Hot 100 it also made it to number two for three weeks on the UK Singles Chart. Written and recorded as the theme for the 1985 James Bond movie of the same name, it became one of the band's biggest hits. "A View to a Kill" is the thirteenth single by the English new wave and synth-pop band Duran Duran, released on.
